1851-1906 Swedish Ernst Josephson Gallery was a Swedish painter from a prominent Jewish family, whose main work was done on portraits and paintings of folk life. He did his art studies in Italy, France and the Netherlands, among others, and is reputed to have said at the age of 20: "I will become Sweden's Rembrandt or die." However, his life was marred by illness. He contracted syphilis at a relatively young age, and in 1888 he became mentally ill during a visit to Brittany, having religious hallucinations and believing that he was God and Christ. He was later taken to hospital in Uppsala and diagnosed with schizophrenia, but continued working throughout his disease, often while in a trance-like state. He also wrote poetry, in the collections Svarta rosor (1888, Black Roses) and Gula rosor (1896, Yellow Roses). His main work, Strömkarlen (1884, the Nix), was refused by the Swedish National Museum in Stockholm - however, Prince Eugen, Duke of Narke, bought the painting in fury over the decision. Grandfather of Erland Josephson.  Related Paintings of Ernst Josephson :. | den heliga familjen, | Gaslisa | portratt av fraken anna heyman | Falskspelaren | nacken |
Related Artists:
Robert Fenson
painted View with a Cottage by a Stream in Probably Late 19th Century
Frederick Smallfield
British Painter and Etcher , (1829-1911)
CRETI, Donato
Italian painter, Bolognese school (b. 1671, Bologna, d. 1749, Bologna) Italian painter and draughtsman. His individual and poetic art represents, with that of Marcantonio Franceschini, the last significant expression of the classical-idealist strain in Bolognese painting. His activity was almost wholly confined to Bologna, where he painted decorative frescoes, altarpieces and easel pictures for private collectors. Two qualities are paramount: a perfected finesse of handling and poetic suggestiveness of situation and mood. He sought the ideal beauty of the individual figure and was thus at his best in meditative pictures with few figures; his subjects combine grace of form and precision of contour with flesh that attains the surface delicacy of porcelain and colours that have a mineral-like refulgence.